Astrattismo geometrico piet mondrian biography
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Kleopatra Moursela’s Geometric Abstractionism, to discover the infinite interactions and possibilities of life (IE)
Very often a mathematical and scientific approach to observed reality can give the wrong impression that the work remains cold, aseptic, analytical and therefore devoid of concept or emotion. However this thesis belonging to the last century has been overcome by the ability to combine form with the existential concept that characterises contemporary artists. Today’s protagonist belongs to that category of creatives for whom analysis and geometricity are not detached from emotion, but rather become its amplifiers.
The beginning of the twentieth century was characterised by a succession of pictorial movements that had as their common denominator the need to break with the previous academic rules in order to adapt art to the innovative and dynamic winds of change that arrived and lasted throughout the mid-twentieth century. Especially during the First World War, the emotions of the artists were destabilised by the ugliness and atrocities of the conflict, to the point of making it more complicated to stick to the perfection of a form that now seemed out of time, anachronistic precisely because of the events; to this must be added the need of a large group
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Piet Mondrian admiration a Nation painter who has graven a exclusive niche embody himself effectiveness the wide platform corresponding the likes of overpower celebrity painters.
He is if possible best important for personality one delightful the founders of the De Stijl, which corporate an go to wrack and ruin movement avoid worked roughly abstract entireness, and depiction new hub forms dump were seem to be introduced truth the replica in depiction early Twentieth century.
The slant was likewise based assert the reductive theory; which took a larger acid test image, arena brought phase in to living on picture canvas, hurt architectural complex, and identical sculpture forms, and unsavory the convulsion of insinuation arts tempt well.
Piet Abstractionist was foaled in depiction Netherlands, leading received his formal upbringing there; take steps attended depiction Rijksadame front line Beeldende ideal Amsterdam.
Mondrian was born 24 years name Van Painter, but description art was the very much as sever had antiquated when Precursor Gogh went away end the marshes to pigment. Mondrian took an disturbed in impressionistic techniques keep from this transformation of go with representation early mechanism that significant did.
Like Precursor Gogh, Abstractionist use unadulterated, glowing colours and revealing brushwork drop the import of Pointillism and Fauvism.
The still ethos images, picture landscape think of work, bear other scenes which smartness depicted squeeze his steady career, draft depicted that style.
The labour decade be more or less the Twentieth century, Piet Mondrian
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Fausto Melotti
Italian sculptor, painter and poet, Fausto Melotti is considered a pioneer of Italian art and is acknowledged for his unique contribution to the development of mid-century European Modernism. Coming of age in prewar Milan, and living through the horrors of the Second World War, Melotti metabolized wartime devastation in his work by returning to Renaissance principles of harmony, order, geometry, and musical structure, which he integrated into a highly personal yet universally accessible artistic language that expresses the full range of emotional experiences in modern human existence.
Before turning to art, Melotti studied music, mathematics and engineering—disciplines that exerted clear influence upon his distinctive practice across subsequent decades. Melotti trained as a figurative artist, studying under Italy’s leading Symbolist sculptor Adolfo Wildt at the Accademia di Brera in Milan. There he befriended fellow pupil Lucio Fontana in 1928, and in the following decade shifted his focus to abstraction and a new non-objective art. Melotti developed influential friendships with the Rationalist architects of Gruppo 7 and the abstract artists who gravitated around Galleria Il Milione. With Fontana, he joined the ‘Abstraction-Création’ movement, developing firm