Biography by imamu amiri bara analysis synonym
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Baraka, Amiri 1934—
Writer, educator
At a Glance…
Visit to Cuba Encouraged Social Activism
Dutchman Exposes Disillusionment
Embraced Black Nationalism
Turned to Marxism
Writings
Sources
Amiri Baraka is one of the most controversial writers in recent history, one whose influence on Afro-American literature has been profound. Plays, poems, novels, essays, short stories, and music criticism are all included in his body of work, and all have served as vehicles for his outspoken social and political commentary. According to Dictionary of Literary Biography contributor James A. Miller, Baraka is “a protean personality, fond of manifestos and vehement repudiations, [who] has shifted guises and discarded identities with such astonishing rapidity that critics have often been frustrated, suspended in the act of defining a man who is no longer there, while his admirers have been left abandoned or challenged to readjust themselves to his new position.”
Born LeRoi Jones in Newark, New Jersey, Baraka grew up in a family of distinctly middle-class aspirations. He was one of a handful of blacks in his high school. While his parents apparently took pride in this fact, Baraka’s unique status caused him tremendous feelings of alienation and isolation.
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Literary Uncertainly and Contempt
By NASRULLAH MAMBROLon •
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Summary and Study Guide
Overview
Amiri Baraka, also known as LeRoi Jones and Inamu Amear Baraka, was an American poet, playwright, novelist, essayist, and music critic. Baraka is most known for his poetry and plays. His career spanned over 50 years, from the 1960s until his death. He is most closely associated with the Black Arts movement, which he helped found in 1964. While his influence is undeniable, Baraka’s militantism, homophobia, misogyny, and anti-Semitism have drawn wide condemnation.
“An Agony. As Now.” was published under the name LeRoi Jones in The Dead Lecturer: Poems (1964), Baraka’s second poetry collection. 1964 was a pivotal year for Baraka. Shortly after this collection, Baraka became radicalized, leaving his family and moving to Harlem to pursue activism and art. One of Baraka’s most well-known poems, this poem previews questions of race, survival, and violent revolution that would become prominent aspects of Baraka’s later work. This poem acts as a metaphor for the experiences of Black men in mid-20th century America.
Amiri Baraka was born Everett Leroy Jones on October 7, 1934, in Newark, New Jersey. His father was a postal supervisor and lift operator, and his mother was a social worker.
For university, he won a scholarship and initiall