El greco biography

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El Greco (–)

El Greco is one of the few old master painters who enjoys widespread popularity. Like Vermeer, Piero della Francesca, and Botticelli, he was rescued from obscurity by an avid group of nineteenth-century collectors, critics, and artists and became one of the select members of the modern pantheon of great painters. For Picasso, as for so many later admirers, El Greco was both the quintessential Spaniard and a proto-modern—a painter of the spirit. It was as a painter who &#;felt the mystical inner construction&#; of life that El Greco was admired by Franz Marc and the members of the Blue Rider school: someone whose art stood as a rejection of the materialist culture of modern life.

Born in Crete, El Greco was trained as an icon painter. Two certain examples survive, and these remind us of the Neoplatonic, non-naturalistic basis of El Greco&#;s art, before he set about transforming himself into a disciple of Titian and an avid student of Tintoretto, Veronese, and Jacopo Bassano. He moved to Venice in (Crete was a Venetian territory). There he set about mastering the elements of Renaissance painting, including perspective, figural construction, and the ability to stage elaborate narratives. Among his finest works of this period is Christ Healing the Blind (). Later

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El Greco

Greek painter of the Spanish Renaissance (–)

This article is about the artist of the Spanish Renaissance. For other uses, see El Greco (disambiguation).

Doménikos Theotokópoulos (Greek: Δομήνικος Θεοτοκόπουλος, IPA:[ðoˈminikosθeotoˈkopulos]; 1&#;October &#;&#; 7&#;April ),^[2] most widely known as El Greco (Spanish pronunciation:[elˈɡɾeko]; "The Greek"), was a Greek painter, sculptor and architect of the Spanish Renaissance. El Greco was a nickname,^[a] and the artist normally signed his paintings with his full birth name in Greek letters often adding the word Κρής (Krḗs), which means "Cretan" in Ancient Greek.

El Greco was born in the Kingdom of Candia (modern Crete), which was at that time part of the Republic of Venice, Italy, and the center of Post-Byzantine art. He trained and became a master within that tradition before traveling at age 26 to Venice, as other Greek artists had done.^[6] In , he moved to Rome, where he opened a workshop and executed a series of works. During his stay in Italy, El Greco enriched his style with elements of Mannerism and of the Venetian Renaissance taken from a number of great artists of the time, notably Tintoretto and Titian. In , he moved to Toledo, Spain, where he li