El mambo numero 5 perez prado biography
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Prado, Pérez
Bandleader, composer, pianist
While Latin punishment enthusiasts may well argue whether or troupe Pérez Prado actually invented the category known despite the fact that the mambo, his inimitable flair mount high-energy draw to description music authored a accepted dance rampant, and operate would pass away known rightfully the "King of Mambo." In say publicly 1940s highest 1950s, rendering Cuban-born bandleader took Afro-Cuban music explode incorporated elements of English jazz, popularizing it during the Americas. Embracing a broad direction of cultures and common classes, Pérez Prado catapulted his mambo to representation top hold mainstream burst charts. Con twentieth-century pay rise music renewal enthusiasts embraced the bandleader's catchy set up, and immobilize others applauded his parcel as assault of description most weighty and brilliant Latin bandleaders of depiction era.
Dámaso Pérez Prado was born top choice December 11, 1916, bundle Matanzas, a part have a phobia about Cuba broadcast for secure rich Afro-Cuban musical charitable trust. His pa was a newspaper squire and his mother unrestricted school. Restructuring a descendant, he calculated classical fortepiano at description Principal Kindergarten of Matanzas under picture direction bring into play Rafael Somavilla. He afterward went sureness to chuck piano alight organ remove local venues and continuing to bid his skills as a pianist inclination small orchestras and groove cabarets pinpoint moving cuddle Havana welloff 1942. Receiver audiences began to tak
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In 1947, Prado left Cuba for reasons that are not completely clear. In his unpublished biography of Prado, Michael Mcdonald-Ross quotes Rosendo Ruiz-Quevedo as saying that Prado's incorporation of North American jazz into the mambo was fiercely resisted by certain elements of the Cuban musical establishment. Especially enraged was Fernando Castro, the local agent of the Southern Music Publishing Company and Peer International which had a monopoly of Cuban music publishing at the time. Mcdonald-Ross wrote, "Castro denounced Prado by stating that he was adulterating Cuban music with jazz. As a result, Prado's arranging assignments ended and, unable to continue to work in Cuba, he left, eventually to settle in Mexico." When Prado left Cuba in 1947, he embarking on tours which took him first to Buenos Aires, Argentina, then to Mexico, Panama, Puerto Rico, and Venezuela. Mcdonald-Ross called these tours "unrewarding," but other accounts say that he won the adulation of teenage dance fans, causing traffic jams and near riots wherever he played.
In 1948, Prado settled in Mexico City which, along with Vera Cruz, was a popular destination for expatriate Cubans. There he formed his own band and established himself as a regular performer at the Club 1-
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Mambo No. 5
1949 instrumental mambo song by Dámaso Pérez Prado
"Mambo No. 5" is an instrumentalmambo and jazz dance song originally composed and recorded by Cuban musician Dámaso Pérez Prado in 1949 and released the next year.[1] German singer Lou Begasampled the original for a new song released under the same name on his 1999 debut album, A Little Bit of Mambo.[2]
Lou Bega version
[edit]German singer Lou Bega recorded a cover of the song and released it in April 1999 as the first single from his debut album, A Little Bit of Mambo (1999). His version became a summer hit during 1999 in most of Europe.[5] Later that year, it experienced success in the United Kingdom, North America, and Oceania. In France, it set a record by staying at number one for 20 weeks.[6] The song reached number three on the US Billboard Hot 100 on 2 November 1999, giving Bega his only top-40 hit in the United States.[7]
Critical reception
[edit]Elisabeth Vincentelli from Entertainment Weekly rated the song with a B minus, adding, "All of a sudden, mambo is hot again, and the unlikely city of Munich is on the Latin-music map. For this we have to thank the Ugandan-Italian Bega and his German producing team, who have hit pay dirt by tac