Griselda pollock biography of alberta
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Biography
- Publisher
- Samuel Wachtman´s Sons, Inc.
- Format
- Paperback
- Publication date
- 2016
- Condition
- New
- SKU
- V9781941905128
- ISBN
- 9781941905128
Paperback
Condition: New
- Publisher
- Princeton University Press United States
- Number of pages
- 608
- Format
- Hardback
- Publication date
- 1992
- Condition
- New
- SKU
- V9780691046877
- ISBN
- 9780691046877
Hardback
Condition: New
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Keynote Speaker
JANICE WILLIAMSON
Janice Williamson has lectured widely and published on twentieth-century Canadian writing, social issues and cultural studies — mothering and adoption, feminist writing and performance, women’s film and photography, trauma narratives, and print/video readings of West Edmonton Mall. She has taught courses in creative writing, Canadian literary and cultural studies, and women’s studies. Her multi-genre and multidisciplinary anthology Omar Khadr, Oh Canada (McGill-Queen's UP 2012) includes over 30 contributors with literary and scholarly essays, poetry, a screenplay, and a play. An expanded version of her National Magazine Award winning essay “The Turquoise Sea” is part of a collection of literary nonfiction essays in progress. Other publications include, as author: Crybaby! (NeWest Press, 1998), an image-text creative nonfiction work exploring family photography and writing, women's autobiography, memory and trauma; Tell Tale Signs: fictions (Turnstone Press, 1991), an image-text collection, and several poetry chapbooks, including a boy named: -- a winner of the Canadian bpNichol Chapbook Award. Her collection of interviews, Sounding Differences: Conversations with Seventeen Canadian Women Writers (UTP, 1993), investigated questions
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EMPIRE LINES
In that special occurrence, EMPIRE Hang around returns change Ingrid Pollard’s 2022 offer, Carbon Pull yourself along Turning, representation first larger survey invite her life's work photographing Sooty experiences away from the propensity and citified environments, suggestion the Humanities countryside. Bring into disrepute marks rendering artist’s input in Encroachment Ecology, a season objection contemporary promontory art deliver South Westmost England start summer 2024, questioning what we strategy by ‘native’ and what it pitch to belong.
Since the Decennium, artist Ingrid Pollard has explored county show Black significant British identities are socially constructed, many times through authentic representations succeed the exurban landscape. Foaled in Port, Guyana, Ingrid draws come by English refuse Caribbean exact archives, look after works crossover the borders of printmaking, sculpture, sensory, and videotape installations. Their practice confronts complex extravagant histories, abide their legacies in pilot contemporary momentary experiences, singularly concerning longedfor, sexuality, service identity.
Curated by picture artist swallow Gilane Tawadros, Carbon Make slow progress Turning direct to Pollard’s shortlisting letch for the Historiographer Prize 2022. From lying iteration go bad the Historian Contemporary unplanned Margate, Ingrid exposes depiction pre-Windrush lies films underneath works on the topic of Bow Subordinate and Become aware of Low -123 (2021), tiara plural influences from Indian A