Juano hernandez biography of michael jordan
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Basketball Network's Post
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I picked up THE BENNY GOODMAN STORY from a charity shop on a whim, not knowing anything about it. The DVD didn’t say who the director was, though I kind of doubted it was going to turn out to be Luchino Visconti.
In fact, it was a person called Valentine Davies, who never directed anything else. He did originate the story of MIRACLE ON 34TH ST, though, as well as working on scripts for SYNCOPATION, THE GLENN MILLER STORY and others. Well, what the hell, I got lucky with BOY SLAVES, also from a one-off feature helmer (PJ Wolfe). Thus, while the Blu-ray of ROME, OPEN CITY languishes unviewed in a drawer, I popped this second-rate biopic into the Panasonic so I could enjoy Steve Allen pretending to play clarinet.
It turned out that Valentine Davies was labouring under twin disadvantages. Firstly, nothing interesting ever happened to Benny Goodman, or at least nothing Davies could put in a film. He didn’t even fly off in a thick fog: worse, he was still around as the film was made, the last thing you want for a biopic. (Note: this is pronounced “bio-pic.” Don’t say it to rhyme with “topic” — it’s evil.)
From Wikipedia: According to Jazz by Ken Burns, when someone asked him why he “played with that nigger” (ref