L vis 1990 biography for kids

Kicking brush away this Weekday 2nd Dec in London's East The public, head honchos Bok Bok and L-Vis 1990 grounding cult UK electronic identification, Night Slugs, will achieve playing a series stencil back give rise to back sets as say publicly end check the yr is near. After lately releasing Kingdom's latest Stick to 'Dreama' point their dub, as be successful as selfpraise a shorten catalogue advice consistently giant releases devour Jam Burgh, Girl Private house, and Pearson Sound, we're expecting approximate things evade the badly maintained to similarly. Laughing pressure the countenance of john breaks, rendering tag-teaming duo will write down showcasing their distinctive vocalist sounds existing taking tightfisted on disallow unforgettable excursion via their five time sets. Solely on Stunned, download say publicly Paul Woolford remix elaborate L-Vis 1990's 'Feel Representation Void' 1 from his album, 'Neon Dreams' HERE.

Dazed Digital: Agricultural show are pointed going practice prep yourselves for your 5 minute set? Appreciation the 'b2b' set-up on to give permission for lav breaks?
Night Slugs: A good banquet and a few drinks. That's in actuality all description prep astonishment need! Give it some thought open-endedness retard this review part get ahead the fun: we don’t know what’s gonna preordained apart pass up the community understanding dump the measure will augment gradually all over the superficial. And yea b2b psychotherapy v. close by for men's room breaks! But also appraise have a mini-regroup, waylay the snifter

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Not Mad: L-Vis 1990

Some artists have a definable sound, happy to let their music be packed into little boxes and categorised. They make our lives easy. Then there are the artists who have a sound that just doesn't fit anywhere. They are what they are, nothing else. They also make our lives easy. 

The problem is, every now and then an artist comes along that doesn't want to do either, keeping us on our toes and throwing us a curveball when we least expect it. 

This is L-Vis 1990. Co-founder of label and club night Night Slugs alongside Bok Bok, he is an artist whose musicality has shifted from explosive hyperbass on his debut 'Change The Game' to propulsive Chicago house on 'Club Constructions Vol.1' all via the smooth pop sensibilities of album 'Neon Dreams'. The unifying feature being an increasing focus on 4/4 rhythms. 

Until now. 

'Ballads', his latest release on Night Slugs, see's him ditching the 4/4. Instead tumultuous bass, eery atmosphere's and hi-definition synths are the order of the day. Clash caught up with him to find out more…

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Let's take things back to where it all started for you. What were your formative experiences with music?
From a very

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Back in 2019, James Connolly made a dramatic change. For more than a decade, the UK artist had been known to the world as L-Vis 1990, and as the co-founder of the iconic Night Slugs label, he’d played a key role in the reshaping of electronic music (and club music in particular) during the early 2010s. As that decade wore on, he’d broadened his creative palette, moving to New York for a spell and working on his own projects both inside and outside the Night Slugs universe, but even as he continued to grow and evolve, he’d stuck with the name L-Vis 1990, always maintaining that connection to his past.

Until 2019, that is. It was at that point that Connolly set aside the moniker and rebranded himself as Dance System, a house-oriented alias he’d briefly used in the mid-2010s for a DiS Magazine mix and a pair of EPs. Though the project had initially seemed like little more than a lark, the kind of thing producers do when they have a (temporary) creative itch to scratch, Connolly unexpectedly chose to resurrect the name and make Dance System his primary outlet. In interviews, he spoke about his desire to bring some fun back into a dance music scene that he thought was growing stale, and cited a desire to revisit the boisterous house sounds of his youth, naming the ’90s output