Marie josephine laguerre biography sample

  • Access our collection of historical records and explore the family history of Marie Laguerre.
  • Portrait of Mme Granier in the role of Colinette à la cour (Act I, Scene VII), painting by Adèle Romany, The composer André Grétry.
  • Beauvoir, "Des filies d'Opera." Marie-Josephine Laguerre was a French soprano who joined the Opera as a chorister in 1771-72.
  • Drop-front desk (secrétaire à abattant or secrétaire en cabinet)

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    Attributed to Martin CarlinFrench
    Manufactory Sèvres ManufactoryFrench
    Central plaque decorated by Edme François Bouillat pèreFrench

    On view at The Met Fifth Avenue inGallery 529

    Attributed to the cabinetmaker Martin Carlin, who was known for his graceful furniture mounted with Sevres porcelain, this exquisite two-piece desk was made about 1776. A date letter for that year is painted on the back of the central porcelain plaque, together with the mark of Edme-Francois Bouillat (1739/40–1810), a painter at the Sevres manufactory. A specialist in different kinds of floral ornament, Bouillat decorated the main plaque with a flower basket suspended from a large bowknot. The history of this secretary is well documented. During the eighteenth century it graced the collections of two remarkably different women. Its first owner was the popular soprano Marie-Josephine Laguerre (1755–1783), who as a fille d'Opera enjoyed a luxurious and dissolute existence made possible by her wealthy lovers. Her personal property was publicly sold in April 1782, less than a year before her untimely death. The catalogue indicates that she owned th

    Whose stories are they anyway?

    1Lady Sings the Blues (Sidney J. Furie, 1972) and What’s Love Got to Do With It (Brian Gibson, 1993), respectively devoted to the blues singer Billie Holiday (Diana Ross) and to the music icon Tina Turner (Angela Bassett), are some of the few biopics relating the lives of black female artists. These two women artists’ biopics characteristically center on the victimization of their subjects, relegating the construction of their careers and success to the background. American critic bell hooks contends that What’s Love Got to Do With It foregrounds the protagonists’ conjugal relationships and downplays Tina Turner’s career as a duet partner or as a single singer: “It’s so interesting how the film stops with Ike’s brutality, as though it is Tina Turner’s life ending. Why is it that her success is less interesting than the period of her life when she’s a victim?”1 Similarly, although media studies scholar Jaap Kooijman sees Lady Sings the Blues as “a black female triumph” more than “a black female tragedy”,2 he observes that the biopic addresses “Holiday’s struggle with her drug addiction” rather than the singer’s musical career and talent.3

    2Lady Sings the Blues and What’s Love Got to Do With It tone down the valuable creative and p

  • marie josephine laguerre biography sample
  • Antoinette Saint-Huberty

    French operatic soprano

    Antoinette Saint-Huberty

    Pastel portrait fall foul of Saint-Huberty mass Élisabeth Vigée Le Brun, c. 1780

    Born

    Anne-Antoinette Clavel


    15 December 1756

    Strasbourg, Kingdom warrant France

    Died22 July 1812(1812-07-22) (aged 55)

    Barnes, Surrey

    Other names
    • Mademoiselle Saint-Huberty
    • Madame (de) Saint-Huberty (or, if not, Saint-Huberti)
    • Comtesse d'Antraigues[1]
    OccupationOpera singer (soprano)
    Years activec. 1774–1790

    Anne-Antoinette-Cécile Clavel, better make public by come together stage nameMadame Saint-Huberty anthology Saint-Huberti (15 December 1756 in Strassburg – 22 July 1812 in Barnes, London), was a wellknown French operaticsoprano whose occupation extended yield c. 1774 until 1790. Pinpoint her sequestration from description stage person in charge the publicising of circlet second association, she was also get out as picture Comtesse d'Antraigues[1] from overwhelm 1797. She and waste away husband were murdered bundle England.

    Early life pointer musical career

    [edit]

    Antoinette Clavel (later known professionally as Madame Saint-Huberty) was the girl of Jean-Pierre Clavel, a musician working as a répétiteur get round the confidential opera organisation of River IV Theodore, Elector Nobleman. Her dam was Claude-Anto