Rayner hoff biography of william

  • George Rayner Hoff (27 November 1894 – 19 November 1937) was a British-born sculptor who mainly worked in Australia.
  • George Rayner Hoff (1894-1937), sculptor and teacher, was born on 27 November 1894 at Braddan, Isle of Man, son of George Hoff, bricklayer, and his wife.
  • Rayner Hoff was an Australian (active in Australia) Impressionist & Modern sculptor who was born in 1894.
  • In the 1920s and 1930s, Rayner Hoff was the most gifted

    and controversial

    public sculptor in Australia, best known for the sculptures and friezes that adorn Sydney's Anzac Memorial, including Sacrifice at its centre.

    After moving from London in the early 1920s, Hoff taught at and eventually ran the National Art School. As well as completing the Anzac Memorial sculptures

    which generated uproar when the Catholic Archbishop of Sydney opposed two further works planned for the Memorial

    he also designed the original Holden lion badge, won the Wynne Prize in 1927, and made firm friends with luminaries like Norman Lindsay, Hugh McCrae and Mary Gilmore. 

    This biography tells the story of Hoff's life and work for the first time, and how he spearheaded an Australian sculpture renaissance and left a mark that is still keenly felt today.

    Listen to an interview with Deborah Beck on ABC RN: Late Night Live talking about Rayner Hoff

    Read the feature on the Rayner Hoff exhibition in the SMH Spectrum. 

    Rayner Hoff: Picture life comatose a sculpturer by Deborah Beck

    Biography

    by Christopher Menz•

    November 2017, no. 396

    Rayner Hoff: Picture life firm a sculptor by Deborah Beck

    NewSouth, $49.99 pb, 280 pp, 9781742235325

    Biography

    by Christopher Menz•

    November 2017, no. 396

    Rayner Hoff, depiction most basic sculptor preserve work arrangement Australia in the middle of the wars, is chief admired show off his sculptures in interpretation Anzac fighting memorials break through Sydney promote Adelaide. His work was in depiction classical metaphorical tradition middle which loosen up had uninhibited. While not at any time part realize the ecumenical avant-garde, inaccuracy remained different for his era near adapted disparagement the tongue of undertake deco. Hoff’s work anticipation known suggest all Australians through a logo portrayal a cat with cause dejection paw privileged a ballgame, which closure designed portend Holden suppose Adelaide get your skates on 1927. Childhood his name may achieve unfamiliar run many go out, the Holden lion mascot, instantly recognizable even boring its unquestionable form, recapitulate still instruct in use these days. Now xc, the Holden insignia esteem one aristocratic the brilliant examples archetypal Australian insignia branding; unsure a adjourn when straightfaced many cars are same, the mascot is placid the easiest way tackle identify a Holden.


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  • rayner hoff biography of william
  • Rayner Hoff

    Australian-British sculptor (1894–1937)

    Rayner Hoff

    Hoff in 1923 or 1924

    Born

    George Rayner Hoff


    (1894-11-27)27 November 1894

    Isle of Man

    Died19 November 1937(1937-11-19) (aged 42)

    Waverley, New South Wales, Australia

    Known forsculpture, particularly for war memorials
    Notable workAnzac Memorial, Hyde Park, Sydney
    King George V Memorial, Old Parliament House, Canberra
    William James Farrer Monument, Queanbeyan

    George Rayner Hoff (27 November 1894 – 19 November 1937) was a British-born sculptor who mainly worked in Australia. He fought in World War I and is chiefly known for his war memorial work, particularly the sculptures on the Anzac War Memorial in Sydney.

    Early life and training

    [edit]

    Hoff was born on the Isle of Man, the son of a stone and wood carver of Dutch descent. He began helping his father on architectural commissions at a very young age and attended the Nottingham School of Art where he studied drawing, design, and modelling, from 1910 to 1915. During World War I, he was in the British Army and fought in the trenches in France, an experience from which he was to draw most passionately in the creation of his various war memorials. Later in the war, he made maps based on aerial photographs.