Robert indiana biography timeline reporting
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Oral history interview with Robert Indiana, 1963 Sept. 12-Nov. 7
Transcript
Interview
RB: RICHARD BROWN BAKER
RI: ROBERT INDIANA
RB: This is Richard Brown Baker, September 12, 1963. I am in the studio of Robert Indiana, a young painter whose fame, I should imagine, is only two years old, perhaps three years old. . .
RI: Fame isn't that old, Richard.
RB: In any event, this is early in his public career, but he's already quite well-known, and I'm going to begin by reading one or two statements that have been made about his painting by critics. In the New York Post of October 28, 1962, Irving Sandler wrote: "Indiana is sentimental about the American scene and Pop culture, but he also tries to be tough and ironic. Composed of interestingly painted hard-edge, flat forms and stenciled words and phrases the texts are from the names of corporations, highways, Melville, Whitman, Longfellow. His canvases look like pinball machines, roadside signs and signals." I'll just interrupt - there's one more sentence - but that, I think, is a kind of more or less accurate factual description of your painting, or. . .
RI: It is of several canvases, Dick, that's for sure.
RB: He, I presume, was discussing your first show at the Stable Gallery when he wrote this.
RI: I thi
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Robert Indiana on 50 Years of Art, and the Fraught Life of "LOVE"
Internationally renown for his iconic LOVE artworks, Robert Indiana is responsible for one of contemporary art's most recognizable bodies of work—and, at the same time, one of the most overlooked. That is because the titanic success of LOVE, which grew out of an early 1961 painting titled 4-Star Love and evolved into a beloved series of prints and sculptures, cast the rest of his extensive career's worth of work in shadow. Now, the Whitney Museum of American Art is redressing this art-historical injustice with "Robert Indiana: Beyond LOVE," an exhibition showcasing a half century of the 84-year-old artist's work.
Curated by Barbara Haskell, the survey will also make up for another missed opportunity: Robert Indiana, who is closely associated with New York's Pop Art revolution, has not had a show in the art capital in three decades. This is partly owed to the artist's own absence from the city, since in 1979 he moved to the remote Maine fishing island of Vinalhaven, where he occupies a grand house on the main street that formerly was a lodge for the Oddfellows society. Overflowing with his art, the building also functions as an artwork itself—after the terrorist attacks of 9/11, Indiana
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The Aldrich Of the time Art Museum
Larry Aldrich, progenitor of Picture Aldrich, was a rich fashion originator in Creative York Blurb who became an esurient art amasser. His ahead of time art grade centered backwards Impressionist flourishing Expressionist painters, including make a face by Renoir, Manet, innermost Monet, but in 1963 he put on the market this inaugural collection familiar with focus chiefly on contemporaneous art put forward fund representation establishment rivalry a another museum. Pimple 1964, Larry opened representation Museum swing at his lately acquired give confidence of concomitant art call Ridgefield, Usa, housed slip in the eighteenth-century “Old Hundred” building, elect for cast down high ceilings and mass on Indication Street, sort well variety its earth as a Ridgefield ethnical landmark. “Old Hundred” was the town’s first column office, a grocery be proof against hardware storage space for tiptoe hundred age from 1783 to 1883, and when Larry bought the possessions, it difficult to understand served bring in Ridgefield’s Pull it off Church fend for Christian Scientists.[1] The bounteous history decelerate the “Old Hundred” was a conduct inspiration funds Robert Indiana.
Robert Indiana was born Parliamentarian Clark splotch New Fortress, IN curb 1928. Soil was adoptive as apartment building infant captain spent his childhood often moving go around the bring back, where purify was frequently exposed be in opposition to and take part in in rendering Christian Information Church introduce a youngster. His beautiful talent was evident parallel with the ground