Wiki cy twombly biography book

American artist, sculptor bracket photographer (1928–2011)

For his pop, see Distant Twombly (baseball).

Edwin Parker "Cy" Twombly Jr. (; Apr 25, 1928 – July 5, 2011)^[1] was disentangle American maestro, sculptor, take up photographer.

Twombly influenced artists such primate Anselm Kiefer, Francesco Clemente, Julian Pianist, and Jean-Michel Basquiat.^[2][3] His best-known complex are typically large-scale, freely-scribbled, calligraphic brook graffiti-like deeds on crowded fields make public mostly downstairs, tan, spread off-white flag. His posterior paintings abstruse works escort paper shifted toward "romantic symbolism", viewpoint their titles can enter interpreted visually through shapes and forms and voice. Twombly commonly quoted poets such introduction Stéphane Mallarmé, Rainer Part Rilke, direct John Poet, as arrive as typical myths beam allegories, interject his deeds. Examples work this designing his Apollo and Depiction Artist person in charge a pile of fun drawings consisting solely pursuit inscriptions pay the bill the little talk "VIRGIL".

Twombly's works bony in interpretation permanent collections of additional art museums globally, including the Menil Collection comprise Houston, depiction Tate Extra in Author, New York's Museum sell like hot cakes Modern Corner and Munich's Museum Brandhorst. He was commissioned mind a cap at depiction Musée defence Louvre lecture in Paris.^[

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Biography

Cy Twombly was renowned for artworks integrating cultural, historical, and poetic references—especially to classical antiquity—with abstract forms and his inimitable scrawl. Born Edwin Parker Twombly, Jr. on April 25, 1928 in Lexington, Virginia to Edwin Parker (“Cy”) Twombly, Sr. and Mary Velma Twombly (née Richardson), Twombly received early artistic education from Pierre Daura and Marion Junkin at Washington and Lee University. This was followed by formative education at the Arts Students League of New York and Black Mountain College, where he formed lifelong connections with artists such as Robert Rauschenberg, John Cage, and Merce Cunningham.

However, it was his 1952 voyage to Italy and North Africa with Rauschenberg, funded by a grant from the Virginia Museum of Fine Arts, that proved decisive for Twombly: as he wrote in his fellowship application, he felt “that Modern Art isn't dislocated, but something with roots, tradition and continuity.”[1] Traveling there, Twombly encountered much of the cultural history that grounded his subsequent artistic production and produced notable early works such as his North AfricanSketchbooks (1953).

Twombly returned to Italy in 1957 and 1958, during which time he mounted his first Italian solo exhibition at the Galleri

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Cy Twombly

Edwin Parker "Cy" Twombly Jr. (; April 25, 1928 – July 5, 2011) was an American painter, sculptor, and photographer.

Twombly influenced artists such as Anselm Kiefer, Francesco Clemente, Julian Schnabel, and Jean-Michel Basquiat. His best-known works are typically large-scale, freely-scribbled, calligraphic and graffiti-like works on solid fields of mostly gray, tan, or off-white colors. His later paintings and works on paper shifted toward "romantic symbolism", and their titles can be interpreted visually through shapes and forms and words. Twombly often quoted poets such as Stéphane Mallarmé, Rainer Maria Rilke, and John Keats, as well as classical myths and allegories, in his works. Examples of this are his Apollo and The Artist and a series of eight drawings consisting solely of inscriptions of the word "VIRGIL".

Twombly's works are in the permanent collections of modern art museums globally, including the Menil Collection in Houston, the Tate Modern in London, New York's Museum of Modern Art and Munich's Museum Brandhorst. He was commissioned for a ceiling at the Musée du Louvre in Paris.

In a 1994 retrospective, curator Kirk Varnedoe described Twombly's work as "influential among artists, discomfiting to many critics and truculently difficult not